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Perspectives on Israeli & Jewish Dance

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Recent Performances, Projects, and Presentations

A Bibliography
of Writings

Selected Choreography
for Voices of Sepharad

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Brin Ingber's Dance and Chorography Slide Show

 

Recent Performances, Projects, and Presentations

Identity Peddlers and the Influence of Gertrud Kraus

Brin Ingber's recent paper, “Identity Peddlers and the Influence of Gertrud Kraus,” was presented at the international Congress on Research in Dance 2007  conference called Choreographies of Migration,  in New York City at Barnard College, November 8-11, 2007 
(For more information, go to: www.cordance.org)

The illustrated paper presented the career of Gertud Kraus and her influence on many dancers and audiences with her own emigration  escaping the Nazis  from Vienna  to Tel Aviv.  She added immeasurably to the modern dance experience and to Jewish identity for more than five decades in Europe, in Palestine/Israel and in the United States. 

Download the presentation (PDF format)

View a slideshow that accompanies “Identity Peddlers and the Influence of Gertrud Kraus

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Judith, Alex Lubet and the Middle East Civic Education Project

Judith performed last summer with composer/guitarist Alex Lubet on Sunday, July 29th at 8:00 p.m. as part of an unusual concert at Sundin Music Hall on the Hamline University Campus, 1536 Hewitt Avenue, Saint Paul, MN 55104-1284. The concert was the final activity of a remarkable two week residency for educators. Every summer they come together to work on curricula of tolerance for many grade levels as part ofthe Hamline University Middle East Civic Education Project.

Inspired by the art work and life of the Holocaust survivor Hannelore Baron, Judith and Alex's collaboration shows some of the effects of intolerance. The backdrop for this work is enlargements of Baron's paintings made from torn fabric remnants painted over and stitched together like flags from unknown countries. Judith also performed in Voices of Sepharad's "Peace in the House" for the Middle East Civic Education Project and its remarkable group of educators bringing hope to the volatile region through their brave classrooms and outreach. For further information, contact Alex Lubet, also concert director, lubet001@umn.edu.

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Machol Europa

Judith taught for the third time at the Machol Europa 30, last summer, the remarkable Israeli dance festival in England.
As she did last summer, Judith offered special lectures on the founders of Israeli folk dance with new films she made on her recent trip to Israel where she interviewed the still active 97 year old Yardena Cohen; also founder of the Karmiel Festival Yonaton Karmon; and dance leaders and creators Yoav Ashriel and Moshiko Ha-Levi.For more information link to info@idi.org.uk or call London at 44 20 8446 6427/8369 5197, or visit www.idi.org.uk

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Dance Magazine

Dance Magazine recognizes Judith Brin Ingber as a working Jewish choreographer in their recent article "Yesterday and Tomorrow: Jewish Choreographers Grapple with Their Heritage." In the feature article from the April 2006 issue, by Shayna Samuels, there is a photo of Judith's dance work "The Argument" and information about her work.

See the article (.JPG file)

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PEACE IN THE HOUSE

Judith performs with 5 other dancers and 6 musicians in Voices of Sepharad's current theater, music and dance evening, portraying the rich relationship of neighborliness between Sephardic Jews and Arabs during the last several hundred years. Their most Recent Performances, Projects, and Presentations were February 9-12 at the Southern Theatre.

www.voicesofsepharad.com

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From the Horse's Mouth, Magical Tales about Real Dancers

Click to Enlarge
From the Horse's Mouth, Magical Tales about Real Dancers

Photo by Rick Sachwitz
Click to Enlarge
From the Horse's Mouth, Magical Tales about Real Dancers

Photo by Rick Sachwitz

Judith performed Oct 27-30, 2005 at the Southern Theater in the program "From the Horse's Mouth, Magical Tales about Real Dancers," which she is also co-producing with the Southern.

"From the Horse's Mouth, Magical Tales about Real Dancers," is a dance/theater celebration of the exciting diversity--and rich history--of dance in Minnnesota. Through stories spoken from the stage along with the dancing, Horse's Mouth puts the spotlight on the entire spectrum of dance in this region, with dancers performing ballet, hip-hop, modern dance, percussive/tap dance and a variety of ethnic forms telling the story of who we are and how artistic expression builds community.

(Judith is in the black gown, Sally Rousse wearing pointe shoes, James Sewell in shorts, next to tall Patrick Scully in the seersucker suit.)

From the Horse's Mouth
Download "From the Horse's Mouth" promotional postcard
(Acrobat PDF)

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PEACE IN THE HOUSE

Click to Enlarge
Judith in costume performing with Voices of Sepharad

Judith in costume performing with Voices of Sepharad

On Saturday, August 6, 2005, Judith danced with Voices of Sepharad, at the Bayfront Festival Park on the shores of Lake Superior in Duluth, MN. Also, see www.voicesofsepharad.com.

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On Sunday, July 17, Judith performed at the West Bloomfield (Michigan) Jewish Community Center. She also conducted workshops for dancers. Read about her visit to
Michigan in the Detroit Jewish News (.jpg file).

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Tales and Controversies

Click to Enlarge

Judith in costume with musicians Sarah
Aroeste and Yoel Ben-Simhon.

Tales and Controversies: An Evening of Sephardic Music & Dance with Judith Brin Ingber - dancer, choreographer and storyteller
Accompanied by Sephardi musicians Sarah Aroeste &Yoel Ben-Simhon
Rutgers University, New Brunswick, NJ
Nicholas Hall - 85 George Street
http://www.masongross.rutgers.edu
Tuesday, February 15th 8 PM, 2005

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The Argument

Click to Enlarge

Photo V. Paul Virtuco

"The Argument" performed at Daila in Jerusalem,
9 x 22 Dance Lab in Minneapolis and at Rutgers University.


Judith performed her solo dance concert at the Daila Cultural Center in Jerusalem on January 17, 2005. Her solos "Hagar's Midrash," "The Argument," and "The Comeback Performance of Bari Simon" were enjoyed by Daila's diverse audience of Arabic and Hebrew speaking young people, as well as arts patrons and political activists from a broad Israeli spectrum.

Judith participated in the popular Minneapolis cabaret "9 x 22 - A Dance Lab" on October 27, 2004 at the Bryant Lake Bowl. The evening is curated by Laurie Van Wieren, who chose Judith's piece "The Argument" for inclusion in the program.

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Jewish Life in America

Saturday, November 20th, 2004, Brin Ingber presented a special lecture in conjunction with Paul Taylor's premiere at the University of Washington in Seattle, celebrating 350 years of Jewish Life in America. Her lecture was sponsored by Nextbook and the University of Washington World Dance Series. For further information, reach Michele Yanow at myanow@nextbook.org.

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Hannelore

A performance with composer Alex Lubet,
Judith presented a new performance piece
inspired by the work of painter Hannelore Baron

at the
International Society for Disability Studies
Bethesda, Maryland

June, 2003

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Lady Capulet

Brin Ingber performed the role of Lady Capulet in Romeo and
Juliet on Valentine's Day, 2003. http://www.metroballet.org

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Festival of One Woman Shows

She also participated in the CIA (Center for Independent Artists) Festival of One Woman Shows in Minneapolis Feb. 21 and 22, 2004 with story teller Carla Vogel, the CIA theater called "The Best Theater for New Work," by City Pages of the Twin Cities, 4137 Bloomington ave. So., Mpls.,
www.c4ia.org.

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THIRST!

Judith's evening called THRIST! was presented at the Southern Theater.

Click to Enlarge

THIRST! it was announced in the
Minneapolis Star Tribune!!!

In "Thirst!," we see the ancient Middle Eastern tale of Judith, a woman spurred into action against powerful, malevolent rulers, paralleling today's threaters to security. Armies surround Judith's paralyzed city and drive her to surprising solutions.

The original music is composed by Michael Karmon, played live by Karmon and guest musicians from Voices of Sepharad. The dancers include Judith Brin Ingber, Joe Spencer, Robert Haarman and Canae Weiss. Canae is the first deaf dancer ever to work in the special summer workshops of American Ballet Theater; she brings an unusual sensitivity and skill to her role as the assistant to Judith.

Other Premieres

Two other premieres included "The Come Back Performance of Bari Simon," based on a true story of a Sephardic dancer extraordinaire in Jerusalem and "Shiviti: A Hebraic Mandala" showing the patterns we fail to see in our lives, to original music by Danny Maseng. Also on the program were "Hagar's Midrash, A Story," depicting the legendary Biblical story of the Egyptian concubine lost in a desert of panic.

A reprise of "These Things I Remember" showed how heirlooms tarnish in the face of exile and ignorance, starting with the Inquisition period in Spain, then moving to Morocco, Turkey, Greece during the Nazi period and today.

                

The musicians of Voices of Sepharad with David Harris as starring vocalist accompanied both "These Things I Remember" and "Hagar's Midrash, A Story."

For further information you can reach Brin Ingber by email at judith@jbriningber.com or by phone at 952-920-1712.

Voices of Sepharad

Brin Ingber has choreographed and performed with the award-wining Voices of Sepharad for over 18 years. She was co-founder with vocalist David Harris and percussionist Mick LaBriola. They are joined by guitarist and 'ud player David Burk and other guest artists for full length productions, as well as residencies at universities and colleges. They have also performed in public schools, community centers, on television and in cabaret formats. Voices of Sepharad has toured widely from the Gindi Auditorium in Los Angeles to Manhattan's Danspace Project, and for three weeks in Poland (including performances at the renowned Jewish Theatre in Warsaw). Click for more details. You can also look at the company's website www.voicesofsepharad.com.

Other Dances

Her recent humorous work "Mergers and Acquisitions" has been seen at Walker Art Center(WAC) on the Choreographers Evening. This yearly series, a mainstay of the Minnesota dance scene, was originally created by Brin Ingber for WAC.

Another successful program, the full length evening piece called "And The Walls Came Tumbling Down" about Black/Jewish relations with fellow choreographer/performer Mary Easter, was also seen in Minneapolis, toured to Chicago, other sites in the mid-West including Grinnell College, and to New York.

Illustrated Dance Lectures

Judith presented a paper at the International Conference of the Congress on Research in Dance at the University of Quebec, Montreal, titled "Dancing Despite the Scourge: Jewish Dancers during The Holocaust" on November 12, 2005.

Judith presented her paper entitled "Searching for Sephardic Dance and A Fitting Accompaniment: An Historical and Personal Account," at the International Conference of the Association for Jewish Studies in Washington DC on December 18, 2005. Her paper included a personal account of her Sephardic work.

Brin Ingber also presented solo performances and illustrated talks. Saturday, November 20th, 2004, Brin Ingber presented a special lecture in conjunction with Paul Taylor's premiere at the University of Washington in Seattle, celebrating 350 years of Jewish Life in America. Her lecture was sponsored by Nextbook and the University of Washington World Dance Series. For further information, reach Michele Yanow at myanow@nextbook.org.

Last Spring, she lectured at the United Theological Seminary in Minnesota and at Am Echod Synagogue near Chicago. Her subjects include "View of Jews: the Nazis versus the Zionists" about the implications of the first 1947 Israeli folk dance company tour to the remnants of the European Jewish community in Displaced Persons camps in Europe after World War II; also, "Is Sephardic Dance Too Sexy?" which is about Sephardic communities and their dance both before and after the expulsion from Spain in 1492.

Her illustrated dance lectures were featured at Swarthmore College in Philadelphia in autumn, 2001, as part of an international conference on the Polish choreographer Jacek Luminski; at the international Israeli folk dance festival "Horati" at Hofstra University in New York; and in London at the Mahol Europa conference and at the Royal War Museum's Holocaust exhibition. She also lectured at the Rubin Academy of Music and Dance in Jerusalem in the winter of 2002; at the Israel Dance Library and at the Ga'aton Dance Center. She gave academic papers on the work of Yemenite Israeli choreographer Sara Levi-Tanai at the American Jewish Studies Conference in Washington, DC in December, 2001. In the winter of 2004 she gives an academic paper for the AJS Conference in Chicago about Jewish dancers during the Holocaust. Her paper "Is Sephardic Dance Too Sexy?" was featured at the 6th International Conference of Languages and Literatures of Sephardi and Oriental Jews in Jerusalem; and "Vilified or Glorified? Views of the Jewish Body in 1947" was selected by the Society of Dance History Scholars for the Dancing Into the Millenium conference in Washington D.C. in the summer of 2001. She spoke at the SDHS Conference at Duke University in June of 2004 about Jewish dancers from Europe in World War Two.

Whose Jewish Identity? Comments and Examples through Dance

This was a performance and lecture presented for the Graduate Colloquium in the Department of Dance at the University of California at Riverside on November 19, 2003.

Other traveling included Brin Ingber's participation in the 10th annual International Contemporary Dance Conference and Performance Festival in Bytom, Poland last summer. In the spring of 2003 she was seen in Vancouver, Canada on the University of British Columbia's "Arts, Education and Social Justice Series" performing with Alex Lubet. She also performed with Lubet in "Hannelore" at the Spark Festival at the University of MN School of Music. Brin Ingber was the featured dancer in Voices of Sepharad Mimouna Performance near Harford, Connecticut. She was artist-in-residence in Waukegan, IL at Congregation Am Echod where she performed and lectured

 

Dance Writing Workshop

at the
Special Festival in Poland,
Sponsored by The Silesian Dance Theater, June through July, 2003